![]() Olympus will actually sell both of these micro four thirds cameras simultaneously, but here comes the real kicker: the E-P2 will retail in kit for for $1,099, a whopping $300 more than the E-P1 - less than the comparable GH1, but still more than an entry-level DSLR. The E-P2 has a new black paint job, but otherwise seems mostly unchanged, with just a few effects and a new "iEnhance" color adjustment mode rounding out the new features. In movie mode the camera now supports full manual shutter and aperture control, and the new Continuous Autofocus tracking system works both for stills and for video. We would've preferred to have both simultaneously, but we'll take what we can get. The main physical difference is an accessory port right behind and below the hot-shoe, which allows for plugging in the new VF-2 Electronic View Finder, or alternatively the EMA-1 audio input module. ![]() Functionality-wise there's not much to complain about the new Olympus E-P2, and in fact it pretty much exactly addresses all the primary issues with the E-P1.
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